Happy Holidays! We’ve got THREE bonus episodes for you today!!! Sam Whiles of Paul or Nothing and Phoebe Lorde discuss two Made-for-TV films about the McCartneys and Lennons. Perfect listening for a post-Christmas haze!
In Bonus Episode 1, join Phoebe and Sam Whiles, host of Paul or Nothing podcast, as they discuss the TV movie The Linda McCartney Story (2000).
Paul and Linda McCartney’s RAM, now often referred to by many as the “first indie pop album” had its 50th birthday on May 17, 2021! To commemorate this important milestone anniversary, join Thalia as she gives “An AKOM Toast!” to RAM at 50! Happy #RAMiversary!
Available now on most podcast platforms!
SHOW NOTES under the cut
RAM by Paul and Linda McCartney
Too Many People
Uncle Albert/Admiral Halsey
Heart Of The Country
Monkberry Moon Delight
Eat At Home
Long Haired Lady
The Back Seat Of My Car
Part 2: “Indie Pop Medley”
“Prairie Fire the Wanders About” by Sufjan Stevens
“Home Again” by Michael Kiwanuka
“Will Do” by TV on the Radio
“Where Gravity is Dead,” by Laura Veirs
“The Infanta” by the Decemberists
“Soul Meets Body by Death Cab for Cutie”
“Eugene” by Arlo Parks
“Suddenly Everything Has Changed” by the Flaming Lips
“Stella Brown” by Jelani Aryeh
“The Breeze” by Dr. Dog
“Golden Days” by Whitney
“Sunrise” by Kenny Elrod
”Let’s Get Lost” by Elliot Smith
“Pass the Hours” by MorMor
“Lord Only Knows” by Beck
Part 3: Covers of RAM by various artists
“Dear Boy” cover by Death Cab for Cutie
“Too Many People” cover by Dave Depper
“The Back Seat of My Car” cover by the Damn Crystals
“Uncle Albert/Admiral Halsey” cover by Novelty Island
“Ram On” cover by Found Wandering
“Zpívám si jen tak” (Heart of the Country) cover by Martha & Tena
“Ram On” instrumental cover by They Might Be Giants
“Monkberry Moon Delight” cover by Robbers on High Street
“Ram On” cover by R. Stevie Moore
We are taking a little break from our Lennon/McCartney Breakup Series to bring you this interview with the fabulous Chris O’Dell!
In this episode Diana and Thalia have a conversation with Chris O’Dell, the author of the book Miss O’Dell: My Hard Days And Long Nights With The Beatles, The Stones, Bob Dylan, Eric Clapton And The Women They Loved. Chris O’Dell has led an extraordinary life as a close friend of the Beatles, Pattie Boyd and Maureen Starkey. She was an early Apple employee, worked for Peter Asher and was among the world’s first female tour managers. She worked on many legendary tours, including the iconic 70’s tours of Bob Dylan, George Harrison, The Rolling Stones, and Crosby, Stills, Nash & Young. She was the subject of George Harrison’s song “Miss O’Dell” as well as Leon Russell’s songs “Pisces Apple Lady” and “Hummingbird.”
We dig into hot topics like Apple in the early days, the day John quit the Beatles, the Maureen/Ringo/George triangle; Paul in 1968, Paul and Linda as a couple. John Lennon during the “lost weekend,” the day Paul quit the Beatles and George’s reaction. the Beatles vs. the Stones, and much more.
Listener feedback is valuable to us, and we love it when
someone takes the time to reach out and engage us in conversation!
This listener offers several compelling and interesting counter-points to the previous listener-letter’s assertion that the imbalances regarding McCartney’s critical reputation (and fandom toxicity regarding McCartney in general) have been redressed. We don’t agree that they have, and this listener has made many similar observations.
Please feel free to email us at akompodcast at gmail dot com, send us an ask, or a Tumblr message.
We love hearing from you!
Thank you guys so much for all of your hard work on this podcast! I’ve had an absolute blast listening to all the episodes, and I’m sure there are many who look forward to it just as much as I do. My letter is partially in response to another listener’s letter (the one who stressed that the jean-jacket narrative is no longer as prevalent as it once was).
I really loved your response, and I simply wanted to express that, whatever their experience with the Beatles’ narrative might’ve been, mine has been the exact opposite. I’m pretty young and my parents never really listened to the Beatles. I knew about the Beatles and Paul McCartney, but I was so naive to their story that it never really clicked that Paul was even in the Beatles until I became immersed in their lore (I had never even heard of George Harrison. Whoops, sorry Georgie). So, I was as blank a slate as they come.
I’ve been absolutely devouring Beatles media for the past three months. And being a Paul fan in 2019? Still really difficult due to the toxicity of the fandom. Obscure books about John Lennon or the group as a whole are far easier to track down than Paul books.
It took an embarrassingly long time to discover that Paul even had an authorized semi-autobiography. (The cringeworthy lack of attention toward Ringo and George hasn’t escaped my notice, either. Their legacy has been seriously neglected) And a lot of the books I’ve managed to get my hands on tend to take unprovoked jabs at Paul’s legacy: two of the “Paul books” I’ve bought recently were prefaced, essentially, with “I’ve never liked Paul because I resented the way the women in my life so obviously enjoyed him.” Both the Norman and Clayson biographies began this way, and it just seemed so unnecessary.
Now I have to do extensive research before purchase to avoid wasting money on books that disdain Paul for qualities outside of his control. It was baffling that these men thought, despite their personal jealousies, that they were qualified to not only write biographies but to include their personal issues in the preface without having their legitimacy questioned. I’d never seen anything like it.
When books or media praise him, the majority of it seems to be for his appearance. Even Cynthia Lennon, bless her old lady heart (loved her book John, by the way, read it ‘cause you guys recommended it), when it came to describing each Beatle in an interview, described a man who had been a true friend to her for decades as ‘Pretty… so, so pretty.’ The other three Beatles consistently get remarks as to their wit and talent, but few people, even some of his close friends, seem to get past Paul’s looks.
To the untrained, twenty-something eye, Paul comes across as something of an adorable, grandad figure, kind of oddly amorphous in his legacy, rather than the musical genius and powerhouse he actually is. When I started to seek out his music, I was shocked at all the familiar melodies that I’d heard hundreds of times before without ever knowing the artist. His music feels really fresh and relevant to me, not at all dated, a huge contrast to the affable, aging persona I’ve been fed by the media.
Paul is my favorite Beatle, but I’m not looking for media that overtly glorifies Paul in relation to his former bandmates. I just want to have historically factual, fair media that pays respect to the people who have shaped my life and occasionally comforted me with their art. And I don’t want to feel like I should have to be ashamed of my enjoyment just because a group of men found my appreciation vapid and aggravating, for one reason or another.
That’s why I’ve so thoroughly enjoyed the AKOM podcast: it feels like, in a room full of toxic men screaming at the top of their lungs about nothing at all and demanding it become truth, that women (and other varying genders) can still bravely sit down amidst it all, have tea, and breathe some sanity into the stupidity. Thanks again!
Thank you for your wonderful letter. We appreciate the feedback. We love long letters and certainly understand having a lot to say on the subject!
We have had very similar experiences to yours and agree:
“Paul comes across as something of an
adorable, grandad figure, kind of oddly amorphous in his legacy, rather than
the musical genius and powerhouse he actually is.”
This bothers us as well. Paul does not get the artistic credit he deserves.
Paul himself has shown frustration with the label “the cute Beatle” —can you imagine having written some of the world’s most famous songs and being labeled “cute” while you partner is labeled “smart” or “intellectual” or “genius”? It must be hugely frustrating. Perhaps so much so that he has taken to giving HIMSELF the label of genius recently! We’re all for it!
Unfortunately, it a label and bias that exists. Problem is, Paul is cute and charming! But he is also deep and complex and brilliant and sexy, yet so many writers and observers aren’t able to see beyond the surface-level read of him. This hasn’t always been the case though, when we examine contemporaneous reviews of the Beatles, we find that in the 60s Paul’s genius was taken more seriously by some (yes, he had the label “the cute Beatle” but his talents were also taken seriously, especially in the UK); the break-up seems to have altered his critical evaluation.
You said:“When I started to seek out his music, I was shocked at all the familiar melodies that I’d heard hundreds of times before without ever knowing the artist.”
We are thrilled that you have discovered them. I felt this way about Paul’s solo work as well—I had been led to believe, by critics, that Paul’s solo music wasn’t up to par with his Beatles work, so approached it with trepidation. What a pleasure it was finding out they were so very wrong. Paul’s post-Beatles work is a joy to explore. It is a treasure chest of incredible music.
“His music feels
really fresh and relevant to me, not at all dated, a huge contrast to the
affable, aging persona I’ve been fed by the media.”
Exactly, and Paul’s post-Beatles story is very romantic and relevant as well. Paul’s post-Beatles period hasn’t been significantly romanticized or mythologized….yet.
The McCartneys themselves do a good job of it, but it hasn’t taken hold in the popular imagination. Based on Paul’s “persona” as it is portrayed in popular culture, one would think Paul spent his entire post-break-up career pining for the Beatles and writing sub-standard but commercially popular music rather than having inspired a whole other music genre and created a goldmine of incredible music.
“Paul is my favorite
Beatle, but I’m not looking for media that overtly glorify Paul in relation to
his former bandmates. I just want to have historically factual, fair media that
pays respect to the people who have shaped my life and occasionally comforted
me with their art.”
Wouldn’t that be lovely! But it’s tough to find. It seems some of these biases are so deeply ingrained and embedded in the Beatles story that it colors the view of everything Paul-related. For example, what is this so-called “granny music”? This isn’t even a thing! It’s not a genre, yet Paul’s music is continually given this label. It’s time to stop letting John’s labels, which were given in a fit of anger and defensiveness, define Paul and Paul’s music. Again, there are some deep underlying assumptions in this fandom that need to be challenged.
“And I don’t want to
feel like I should have to be ashamed of my enjoyment just because a group of
men found my appreciation vapid and aggravating, for one reason or another. That’s why I’ve so thoroughly enjoyed the
AKOM podcast: it feels like, in a room full of toxic men screaming at the top
of their lungs about nothing at all and demanding it become truth, that women
(and other varying genders) can still bravely sit down amidst it all, have tea,
and breathe some sanity into the stupidity. “
Ha! Well, we are thrilled to have inspired enjoyment and relaxation with a good cup of tea! We understand the pleasure of not wanting to constantly throw your cup at the speaker!
“Can’t wait for the next episode!!”
We hope you have enjoyed our latest episodes on the Break-up and LIB. We think we managed to challenge some deeply held believes and assumptions with our analysis.
Thanks again for the letter, we really enjoyed it! Please continue to share your thoughts if you are inspired!
In the second installment of our Break-up series, Diana and Phoebe take a DEEP look into January 1969, when the Beatles record and film Let it Be.
Part 1 reflects on the sub-textual conversation revealed in their behaviors and their music. Part 2 (Coming very soon!) looks at some of the underlying issues of the break-up as they play out in this period.
This multi-part series explores the emotional roots of the Beatles break-up with a focus on Lennon/McCartney.