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PHOEBE: So in this clip, Paul mentions Ingmar Bergman’s Seventh Seal, and Jean Luc Godard’s One Plus One. He talks about his love of films, especially experimental films, and basically being a student of film in the mid 60s.

We also know from his 1997 biography, Many Years From Now, that in the mid 60s, particularly in that ‘66 through ‘68 era, he screened a few indie films at his house in London. I know that he had a screening of Scorpio Rising by Kenneth Anger, and another of Andy Warhol’s, Empire. And in the Michael Braun book, Love Me Do from 1964, Paul mentions the Trial (Orson Welles movie), and 8 ½.

So we’ve a pretty good sense of Paul’s movie background in 1967 going into the making of Magical Mystery Tour. He’s mentioned Bergman, Godard, Fellini, Truffaut, Orson Welles, Andy Warhol and also Dick Lester and British comedy, such as Morecambe and Wise. And Nat Jackley (the comedian that John loved who got into the movie).

And we know that Paul been making his own short films for a while by the time that he conceived of the Magical Mystery Tour project. So he’s made short films and he knew enough basic filmmaking, like he knew how to rewind the film and expose it again. He liked making double exposures and fun stuff that was becoming more popular in the 60s; artsy little tricks.

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KRISTEN: Well, you know, what I think is interesting about Paul’s influences that you mentioned, like these great European art cinema directors like Bergman and Fellini…and then you’ve got the new wave directors, the experimental. And even the American director that you mentioned, Orson Welles isn’t, like, run of the mill American director, like he’s the artsy one, right?  

But what I think is really interesting is that in the 60s, that was a pretty standard mix for people who are really into film culture, like new wave and European art cinema directors. I’m surprised he doesn’t throw Kurosawa in there, because that’s kind of in the mix, right? Or Buñuel. But that group of directors, art cinema directors from the 1950s and then the new wave, specifically the French New Wave directors from the 50s and 60s, were so a part of film culture at the time, in the 1960s. Like all of the 20-somethings, you know, the people Paul’s age, were definitely really getting into film culture at this time. 

You had cine clubs, movie clubs popping up all over the world. They were really, really important in France, but in England too, they would have been really popular. And definitely like, college campuses in the US, college-age students would get together and they would watch the latest -or not even the latest, but they would watch The Seventh Seal or they would watch, Rashomon or whatever, and then they would discuss it. And it would be, sort of this thing where, like in France, these cine clubs were supported by the government. I mean, it was a sanctioned thing.

PHOEBE: They still are (in France)!

KRISTEN: Right, right. And so, you know, it was really, really popular. 

And then experimental films were thrown into the mix too. And so you had these kind of pop-up theaters or movie clubs, independent theaters and college campuses. You had this real film culture in the post war era, and really coalescing in the 1960s with college age people and Paul – even though he’s not a college student – he’s in that kind of spot, that sweet spot, age-wise.

So it absolutely makes sense that he’s doing this and it’s not even, like, super unique or unusual. This is something that a lot of (especially 20-something) artists and intellectuals were absolutely doing.

And you know the fact that he’s showing Kenneth Anger and Andy Warhol, like he’s definitely showing the cutting edge sort of pop culture, experimental filmmakers, which is pretty cool. You know, he’s not showing like, Stan Brakhage or Maya Deren- like, maybe he is? But he’s not showing the ones that are maybe a little bit more challenging. He’s showing the ones that are a little bit more accessible, which is great, though! Like those are, they’re fantastic, like Kenneth Anger is amazing.

I think that he’s just so a part of that moment, that late-60s sort of film culture, experimental film culture moment. And it’s just starting to seep into Hollywood at this time. And this sort of counterculture interest in experimental and new wave and art house filmmaking is about to completely change Hollywood and give us new Hollywood. And so, you know, he’s right on track at this time, as far as youth film culture, which I think is really cool.

Full episode here

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Ahhh, thank you! We really appreciate that feedback. ❤️

We think this is an important issue to discuss, especially going forward because it will not and cannot go away, and as public awareness for these topics grow, Beatles fandom is going to HAVE TO figure out how to address them honestly.

So glad you are enjoying the show! 

Listen to the Context v. Excuses episode here

Paul McCartney’s 21st Birthday Party
June 18, 1963

1. Jim McCartney and friends
2. Jim McCartney, cousin Di and Hank Marvin
3. Jim McCartney, Aunty Jin and the Shadows
4. Celia Mortimer (Mike McCartney’s gf), Ringo’s stepdad and mum (Harry and Elsie Graves), George Harrison’s dad Harry
5. Paul and Jane Asher
6. Cynthia and John Lennon, Bob Wooler

(thanks to the gilly for pics)

AKOM: Magical Mystery Tour

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Thru the AKOM Lens: Magical Mystery Tour

CONTENTS

  • Influences and Context 2:23
  • Critical Reception. Does MMT warrant Re-evaluation? 18:50
  • Stanley Kubrick – echoes of MMT 44:30
  • Weekend – a slice of 1967 art cinema 1:09:21
  • Discussion of Magical Mystery Tour 1:25:26

    TW: brief mention of a (fictional) sexual assault on a minor in the Kubrick section

SOURCES

Juli Kearn’s analysis of A Clockwork Orange:

http://idyllopuspress.com/idyllopus/film/co_three.htm#magical

Rob Ager’s analysis of the Bear in the Shining: https://www.youtube.com/watch?v=dW2GrG7Zk0U

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FILMOGRAPHY (movies referenced in the podcast)

  1. Magical Mystery Tour (1967) The Beatles
  2. Strawberry Fields Forever (1967) Peter Goldmann
  3. The Seventh Seal (1957) Ingmar Bergman
  4. One Plus One (1969) Jean-Luc Godard
  5. The Trial (1960) Orson Welles
  6. 8 ½ (1060) Federico Fellini
  7. Scorpio Rising (1960) Kenneth Anger
  8. Empire (1966) Andy Warhol
  9. Running, Jumping Standing Still (1959) Dick Lester
  10. Weekend (1967) Jean-Luc Godard
  11. Daisies (1966) Věra Chytilová.
  12. The Shining (1980) Stanley Kubrick
  13. A Clockwork Orange (1971) Stanley Kubrick
  14. 2001 (1969) Stanley Kubrick
  15. Barry Lyndon (1975) Stanley Kubrick
  16. Dr. Strangelove (1964) Stanley Kubrick
  17. The Astronomer’s Dream (1898) Georges Méliès
  18. Breathless (1960) Jean-Luc Godard
  19. Tom Jones (1963) Tony Richardson
  20. The Cook, the Thief, His Wife and Her Lover (1989) Peter Greenaway
  21. A Taste of Honey (1961) Tony Richardson

(Photos, L to R: A Clockwork Orange, Magical Mystery Tour, The Shining. Strawberry Fields Forever, Weekend, Daisies)

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Another Kind of Mind is available on Apple Podcasts, Spotify, Google Podcasts, Podbean, and most other podcast platforms.

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Female Protagonists in McCartney Songs

What can we learn about Paul McCartney from the female protagonists in his songbook? Phoebe and Thalia discuss several McCartney compositions featuring prominent female characters and identify their central themes.

Sources:
“Many Years From Now” by Barry Miles (1997)
Interview w/ Allison Anders, Bomb Magazine (1997)
Paul McCartney interview w/ Jonathan Wingate Record Collector (2008)
“Chaos and Creation at Abbey Road” (2006)
“Still I Rise” by Maya Angelou (1978)
“The Oprah Winfrey Show” (1984)
Interview w/ Paul McCartney for Billboard Magazine (2001)
Paul McCartney Interview w/ Susan Goldberg for National Geographic (2017)

PLAYLIST:
She’s Leaving Home (1967)
Jet (1973)
Blackbird (1968)
Jenny Wren (2005)
Working Women at the Top (1991)
It’s Not On (1982)
Temporary Secretary (1980)
Another Day (1971)
Penny Lane (1967)
Eleanor Rigby (1966)
Eleanor’s Dream (1984)
Treat Her Gently/Lonely Old People (1975)
English Tea (2005)
Let it Be (1970)
Imprisonment, Ocean’s Kingdom (2011)
Daytime Nighttime Suffering (1979)
Mama’s Little Girl (1973)
The World You’re Coming Into (1991)
Lady Madonna (1968)
For No One (1966)

Extended Spotify Playlist: Click Here

On Apple Podcasts, Spotify, Google Podcasts, Podbean, and most other podcast platforms.

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Another Kind of Mind will be back soon with a new episode to help you through the quarantine!

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Hi there Anon asker! 🙂 We had to redact most of your ask not to reveal spoilers, but we wanted you to know we see you and we’re glad you liked it! 🙂  Thanks for reaching out to us, because we love to hear from our listeners! 

Anonymous asked:

A sentence in the first (I think) episode of your podcast really stuck out to me: “It’s not about kissing Paul’s ass, it’s about advocating for him”. YES!!!

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Hi and thank you so much for this! 🙂  We’re really glad you’re enjoying the show!  And yes, we simply strive to talk about Paul in a different way than has become the norm, which is to give him the props he deserves!

Anonymous asked:

I adore your podcast!!! Right now I’m listening to “If I ran away from you – Episode 1 Part 2” and I love with your interpretation of Hey Jude and of how Paul’s new relationship with Linda fits in the song! I never thought of that and it really makes sense!

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Thank you so much! 🙂 “Hey Jude” is a complicated song chock-full of layers.  I love Phoebe and Diana’s analysis of it as well!  Paul had so much going on in his life during that time and I love that they could see that “Hey Jude” is an amalgamation of everything he was facing!

Anonymous asked:

The john calling paul god part of your latest episode (thank you btw!!) reminded me of a quote I wondered if you’ve seen. “Cynthia Lennon is a goddess, you know. Paul is a god. Aren’t I lucky to have such a religion?” Supposedly from ~66 I think but I can’t find the source.

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Hello there, and thank you for the feedback! 🙂 

All of us have seen this quote floating around unattributed, but haven’t ever been able to find the original source, so we are fairly suspect about it.  There have been a number of manufactured Beatles quotes making the rounds for years so this could very well be one of them. If anyone out there in Internet-land has the original quote and source, it could be helpful in solving this riddle. 🙂 But we have all tried to find it to no avail.

Thanks for listening to us and we hope you continue to enjoy! 🙂